完整原文
The advent of generative artificial intelligence fundamentally destabilizes the ontological foundations of artistic creation by decoupling aesthetic output from human intentionality and conscious experience. Whereas traditional artistic praxis is intrinsically anchored in the subjective interiority of the creator—encompassing lived trauma, cultural situatedness, and deliberate agency—algorithmic synthesis operates through probabilistic pattern recognition, thereby reducing aesthetic genesis to stochastic computation rather than empathetic expression. This paradigmatic shift precipitates a profound epistemological crisis regarding authorship and authenticity, as the algorithmic 'creator' functions not as an originating consciousness but as a curatorial aggregator of pre-existing cultural data, rendering Walter Benjamin’s notion of the 'aura' increasingly contingent on human curation rather than mechanical reproduction. Nevertheless, rather than heralding the terminal obsolescence of human artistry, this ontological rupture compels a necessary redefinition of the creative domain, wherein the artist’s role evolves from mere generator to critical editor, interrogating machine outputs through conceptual framing and socio-ethical contextualization. Ultimately, the proliferation of AI does not erase the essence of art but rather strips away its computational veneer, demanding that the ontological core of creativity be rigorously reasserted through unquantifiable human dimensions: vulnerability, moral inquiry, and the irreducible desire to find meaning in the chaos of existence.